Finishing a Book: Ditch the Ego, Act on the Criticism, Pick the Hills to Die On

Well, I’ve done it, and I’m pretty pleased with myself. I finally finished the remaining three chapters of my next book (Whistle Stop: How 31,000 Miles, 352 Speeches and 6 Bright Young Men Saved the Presidency of Harry Truman, due fall 2014 - watch this space). Well, kinda. In fact, what I really did was send the rest of the first draft to the two generous souls who are reviewing my manuscript. 

Now for the fun part. And by fun, I mean death-to-the-ego-and-all-my-hopes-and-dreams. Unfortunately for me, some editors just want to watch the world burn. 

You see, soon enough my inbox will light up with e-mails, containing page after page of edit afflicted prose. And with each new comment, redline and question, I will die a little. Or at least my ego will. 

In a perfect, pain-free world, writers could just churn out a bunch of words, revise them ourselves and then fling them out to the unsuspecting public. Oh, wait, we can. I keep forgetting about self-publishing. 

But alas, those of us who go the traditional route of talking an academic or trade press into publishing our portable monuments to how smart we think we are, are resigned to several months of editorial torture that we willingly brought upon ourselves. 

Here are a few tips to get you through the process:

Accept That You’re Too Close

The trouble with you editing, re-editing, and re-re-editing your manuscript is that you’re wed to it. You breathe it. It wakes you up at odd times of the night, then scolds you for forgetting to put your tablet/notepad & pen beside the bed, you clot. No matter how objective you think you’re being, believe me, you’re not. That’s why you asked those poor saps to read it through with a wary eye and a warning finger before you subjected your editor to the horrors of a hundred thousand unbalanced, repeated, bloated words. 

Click here to read the rest of this post via the blog of Boston University's The Historical Society. 

Budget BS: The Sequester Hits History

When we think about the budget mess in Washington, it’s easy to focus on how it affects what’s now and what’s next. But what’s often overlooked is how budget cuts impact the study of the past. Or, how those cuts might shape history for current and future generations.

Harry S. Truman's farm home in Grandview, Missouri

In the past year, I’ve spent many a Saturday morning at the Harry S. Truman Museum and Library in Independence, Mo., merrily panning for research gold sifting through umpteen boxes and folders. Thankfully the museum and the researcher’s reading room/library will not be closing.

But as of March 24, Truman’s old white-board home in Independence (which he far preferred to the other White House he lived in, dubbing the latter, “the great white jail”) will be closed on national holidays, Sundays and Mondays. The Noland house across the street, which once belonged to Truman’s cousins, is being shuttered for good. And though visitors can still mosey around the grounds of the family farm in Grandview, Missouri, they’ll no longer be able to tour the house.

Click here to read the rest of this post on the blog of Boston University's The Historical Society.

And if you can, take a trip to the Truman Library and Museum. It's well worth it for anyone interested in the man who is, I'll wager, the most underrated US President. In the meantime, you could check out their website.

Erik Larson Interview for Historically Speaking

I recently had the pleasure of interviewing Erik Larson, whose books include The Devil in the White City, Thunderstruck and Isaac's Storm, for leading journal Historically Speaking. The Historical Society recently published an excerpt from the Q&A, which appears in the September issue of HS. During our conversation, Larson talked about his latest book, In the Garden of Beasts, a masterful account of American Ambassador William Dodd's time in Germany as Hitler was consolidating power. We also discussed the impact of Larson's journalism career on his books, the research tools he used and the value of going to Berlin to experience the city as Dodd would have. Here's a snippet:

White: Is it true that you were inspired to write In the Garden of Beasts after reading William Shirer’s The Rise and Fall of the Third Reich?

Larson: The thing that caused my imagination to kick in was the fact the Shirer had been there in Berlin and had met Hitler, Goering, and Goebbels, but he met them at a time when nobody knew the ending. And that’s the key thing— nobody knew the ending. What would it have been like to have met what turned out to be these awful people when nobody knew what was coming down the pike?

From there I started looking for characters. It’s a process—finding what kind of narrative energy this person could apply. I read memoirs, newspaper accounts, and letters, looking for little things that might lead to bigger things. I knew nothing about Dodd when I stumbled across him. I found him compelling but by no means someone I could hang a book on; he was a little dry, and I’m not that interested in diplomatic history. But I liked the fact that he was a plain-spoken, low-key guy who was thrust into a job for which he was anything but qualified. From a narrative perspective that made him interesting. He was an outsider, and that’s what I was looking for—an outsider who entered into the world of the Reich during its first two years. Then I discovered that Martha Dodd had written a memoir. After reading that I decided that these might be the two perfect characters, and happily both underwent transformations in their first full year in Berlin.

Click here to read more

The Easiest Way to Improve Your Writing Is...

http://histsociety.blogspot.com/2011/07/acknowledging-shortcomings-as-writer.html

Johann Hari & Interviewing No-Nos

Johann Hari, who writes for The Independent and is a former winner of the prestigious Orwell Prize, is under fire over claims that he embellished interviews with third-party material. Is he guilty? I have no idea. But the story does raise questions over interviewing practices and journalistic ethics. To that end, I've compiled a list of interviewing no-nos, published today on the blog of The Historical Society.


Click here to read the full story. 


If you'd like to read my previous HS posts, click here. I welcome your comments - let's make it "iron sharpening iron."

PW