Spring 2015 History Book Bonanza: David McCullough, Erik Larson & Matthew Pearl

Do you devour history and historical fiction books? Then you're in for a feast in the next few months, as some of the most talented writers in these genres unveil their latest work.

First up is America's king of so-called "popular history" - which really means non-boring, highly readable accounts that are the opposite of dry academic tomes - David McCullough. Having given new life to pivotal figures such as John Adams and Harry Truman, McCullough has now turned his attention to the fathers of powered flight, the Wright brothers.

It's hard to imagine that it has been less than 120 years since Orville and Wilbur Wright started tinkering with old bicycle parts in their Dayton, Ohio workshop. Just seven years later, Orville took their fragile glider up to 20 feet above a North Carolina beach for 12 seconds, and the aerospace age was upon us. There have been many books dedicated to the topic but as ever, McCullough has dived deep into archival materials and emerged with fascinating new insights that will keep readers spellbound from page one of this engrossing biography.

We learn for the first time that any portrait of the Wright siblings is incomplete without the inclusion of Katharine, who spurred her brothers on to (pun alert) greater heights. As McCullough reaches his dotage, we should savor each and every volume he creates in his New England writing hut/garden shed, for when he departs there will be an immeasurable void for the millions of readers whom his biographies have touched.

Erik Larson is another American chronicler extraordinaire who's releasing a new book this spring. His previous offering, In the Garden of Beasts, focused on the US ambassador to Germany as he witnessed increasing Nazi violence in the run up to World War II. Now, with Dead Wake, Larson takes us back to the previous global conflict and the harrowing story of the Lusitania sinking. As with the Wright brothers, this is hardly a new or obscure topic for writers to tackle. And yet Larson transcends the material by taking us beyond geopolitical circumstances and humanizing the story.

For the first time, we're drawn into the lives of passengers and crew members, with the result of humanizing the well-known tale in a way that Larson fans know well. His trademark warts-and-all sketches give us three-dimensional characters who we can relate to as they sail ever closer to their doom, even as the US unknowingly drifts toward embroilment in World War I.

While Larson and McCullough stick to the realm of facts, Matthew Pearl uses actual people and events to fashion inspired historical fiction. His forthcoming book, The Last Bookaneer, sees Robert Louis Stevenson beavering away on his next novel on the island of Samoa. Little does he know that two book thieves are on their way to steal the manuscript and sell it before a new international copyright law outlaws such literary piracy. 

Click here to finish reading via the Huffington Post. 

Erik Larson Interview for Historically Speaking

I recently had the pleasure of interviewing Erik Larson, whose books include The Devil in the White City, Thunderstruck and Isaac's Storm, for leading journal Historically Speaking. The Historical Society recently published an excerpt from the Q&A, which appears in the September issue of HS. During our conversation, Larson talked about his latest book, In the Garden of Beasts, a masterful account of American Ambassador William Dodd's time in Germany as Hitler was consolidating power. We also discussed the impact of Larson's journalism career on his books, the research tools he used and the value of going to Berlin to experience the city as Dodd would have. Here's a snippet:

White: Is it true that you were inspired to write In the Garden of Beasts after reading William Shirer’s The Rise and Fall of the Third Reich?

Larson: The thing that caused my imagination to kick in was the fact the Shirer had been there in Berlin and had met Hitler, Goering, and Goebbels, but he met them at a time when nobody knew the ending. And that’s the key thing— nobody knew the ending. What would it have been like to have met what turned out to be these awful people when nobody knew what was coming down the pike?

From there I started looking for characters. It’s a process—finding what kind of narrative energy this person could apply. I read memoirs, newspaper accounts, and letters, looking for little things that might lead to bigger things. I knew nothing about Dodd when I stumbled across him. I found him compelling but by no means someone I could hang a book on; he was a little dry, and I’m not that interested in diplomatic history. But I liked the fact that he was a plain-spoken, low-key guy who was thrust into a job for which he was anything but qualified. From a narrative perspective that made him interesting. He was an outsider, and that’s what I was looking for—an outsider who entered into the world of the Reich during its first two years. Then I discovered that Martha Dodd had written a memoir. After reading that I decided that these might be the two perfect characters, and happily both underwent transformations in their first full year in Berlin.

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